Blog
13
Jan
2013
When in Mumbai, tin and dha ’til your tits sound like ta.
Written by Jimmy
In Mumbai for business. Had a free Sunday. Decided to watch some tabla. The Tabla is the work horse of Indian percussion – think fancy bongos, with a lot more variation in tone. Interestingly, we recording one of the best Tabla drummers around, Prasad Velankar, on a Singing Wells trip to Nairobi. Here’s the clip:
You can tin tin ta ka kit, tin tin ta tit tit to your heart’s content on the Tabla. In fact, here is a summary of the main strokes:
- Ta: (on dayan) striking sharply with the index finger against the rim
- Ghe or ga: (on bayan) holding wrist down and arching the fingers over the syahi, the middle and ring-fingers then strike the maidan (resonant)
- Tin: (on dayan) placing the last two fingers of the right hand lightly against the syahi and striking on the border between the syahi and the maidan (resonant)
- Dha: combination of Ta and Ghe
- Dhin: combination of Tin and Ghe
- Ka or kit: (on bayan) striking with the flat palm and fingers (non resonant)
- Na or ta: (on dayan) striking the edge of the syahi with the last two fingers of the right hand
- Tit: (on dayan) striking the center of the shahi with the middle finger
- Ti: (on dayan) striking the center of the shahi with the index finger (resonant)
Now that’s more than you wanted to know about that.